FLORAL ARTISTRY
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|
FRANK MCCARTHY - LIMITED EDITIONS |
| FRANK MCCARTHY
After the Council |
 |
textured canvas |
550 signed and numbered |
20" x 36" |
$850 |
FRANK
MCCARTHY
Ambush |
 |
paper |
750
signed and numbered |
17.75" x 27" |
$195 |
|
The sharp
staccato of rifle fire and the piercing whine of the ricochet signal an
"Ambush!" With the crack of the whip you can see the fear
in the horses' eyes, and defiance in the faces of the escorting
cavalrymen. This is life or death - set in a rugged southwestern canyon in
the mid-1880's - another classic McCarthy about the rigors and excitement
of life in the Old West. |
FRANK
MCCARTHY
Ambush at the Ancient Rocks |
 |
paper |
1000
signed and numbered |
23" x 23" |
$225 |
|
In 1995, Frank C. McCarthy first portrayed the courageous,
but often ignored, men of the historic Tenth Cavalry in the print release
Charge of the Buffalo Soldiers. He continues this series with his second
release, Ambush at the Ancient Rocks. Returning from a patrol in the
twilight hours, these Buffalo Soldiers find themselves pinned down by
Apaches among boulders carved with enigmatic petroglyphs. With their backs
to a canyon and no way out, the troops face a hardened foe whose
determination and will are as steadfast as their own. Descendants of
the Buffalo Soldiers have praised the artist's heroic portrayal of these
men so often overlooked in the annals of history. They take their rightful
place in Ambush at the Ancient Rocks, which also features carvings that
McCarthy has examined in his best selling "Path of the Ancient
ones" print series. |
| FRANK MCCARTHY
Beneath the Cliff of the Spirits
|
 |
paper |
1500
signed and numbered |
25" x 14.75" |
$295 |
| FRANK MCCARTHY
Big Medicine |
 |
 |
giclee canvas |
150
signed and numbered |
24" x 40" |
$895 |
FRANK MCCARTHY
Breaking the Moonlit Silence |
 |
paper |
650 signed and numbered |
19.5" x 38" |
email price request |
| FRANK MCCARTHY
Buffalo Soldiers: Advance as Skirmishers, Charge
|
 |
paper |
1500
signed and numbered |
18" x 30" |
$225 |
|
FRANK MCCARTHY
The Challenge |
 |
paper |
1000 signed and numbered |
18.75" x 26 |
$225 |
| anniversary edition giclee canvas |
not to exceed 150 |
17" x 26" |
$750 |
|
The Challenge shows the start of a confrontation between a Sioux warrior riding upstream and an enemy in the forest up ahead. He waves his coup stick in defiance at the adversary, who remains unseen by the viewer. The coup stick was important in Indian warfare. A coup was like scoring a point in a deadly game of war; if a warrior could touch the enemy with the coup stick it could be more important than if he killed him. McCarthy said, "In painting this scene, I began to think that it would be both interesting and exciting to see just who this unseen adversary is. So, immediately upon finishing The Challenge I began working on Whirling, He Raced to Meet the Challenge ." F. M. |
FRANK MCCARTHY
Charge of the Buffalo Soldiers |
 |
paper |
1000 signed and numbered |
25" x 18" |
email price request |
| FRANK MCCARTHY
The Chase
|
 |
paper |
1000
signed and numbered |
18" x 30" |
$225 |
FRANK MCCARTHY
The Coup |
 |
 |
paper |
signed and numbered |
20" x 24.5" |
| FRANK MCCARTHY
Children of the Raven |
 |
anniversary edition giclee canvas |
not to exceed 125 |
16" x 30" |
$750 |
| Grimly prepared, a well-armed party of Crow Indians advances across a mountainside overlooking a beautiful river valley. The Crow called themselves Absaroke, in loose translation "the Raven People." In the late 1700s, the Crow moved into some of the valleys around the Rocky Mountains. Their hunting grounds were rich with game, and so desirable that the Sioux and Blackfeet tribes regularly came to raid and hunt. The Crow had to be in constant readiness to defend their lands against superior enemy numbers. |
|
FRANK MCCARTHY
The Coming of the Iron Horse |
 |
giclee canvas |
75
signed and numbered |
28" x 14" |
$795 |
| Of all the innovations of the nineteenth century, none changed the landscape of the American West more than the steam locomotive.A monument to speed, industry and westward expansion, the locomotive charged across the landscape, changing the face of frontier life forever, but it did not happen overnight.
Past and present collided in the prairies and plains, as workers laying tracks for the trains met with resistance from local wildlife. Even the mighty locomotive engine itself, with all its power and might, occasionally ran into the unstoppable force of nature.
"Huge migrating herds of buffalo could stall a train for hours," said Frank McCarthy. "For sport, travelers sometimes took potshots at them from the cars while they waited for the procession to pass." It would not be long before progress and professional hide hunters rendered the threat of buffalo on train tracks nearly extinct. |
FRANK
MCCARTHY
The Crossing |
 |
paper |
850
signed and numbered |
25" x 18.5" |
email price request |
|
Unique in its
setting and in the temper of the moment. Towering evergreens and Grand
Teton-like snow-capped peaks accentuate a historically cast, untamed
wilderness. Here amidst a cold mountain river, a party of northern Plains
Indians surge toward the safety of the forest. - Frank McCarthy |
| FRANK MCCARTHY
Flashes of Lightning, Thunder of Hooves
|
 |
paper |
550
signed and numbered |
16" x 18"
16" x 22.75"
16" x 18" |
$435
(3-piece set) |
FRANK MCCARTHY
Guardians of the Waters |
 |
canvas |
75 signed and numbered |
11" x 13" |
email price request |
|
The desert lands of the southwestern United States contain a multitude of mysteries and artifacts of earlier peoples. The images carved into the rock face in Guardians of the Waters did, at one time, have specific meaning, but experts today do not agree on their precise translation. McCarthy's dynamic portrait of a band of warriors racing past a group of symbols illustrates the grand scale and intriguing style of some of these petroglyphs. Perhaps these warriors know their true meaning. |
| FRANK MCCARTHY
Heading Back
|
 |
paper |
1000
signed and numbered |
14.5" x 29" |
$225 |
FRANK MCCARTHY
In the Land of the Ancient Ones |
 |
paper |
1250 signed and numbered |
20.5" x 31" |
email price request |
FRANK MCCARTHY
In the Land of the Sparrow Hawk People |
 |
paper |
1000 signed and numbered |
13.25" x 27" |
email price request |
FRANK MC CARTHY
In the Land of the Winter Hawk |
|
anniversary edition giclee canvas |
not to exceed 100 signed and numbered |
22" x 32" |
$850 |
|
The Blackfeet Indians were mighty raiders, feared far to the south and east of their own territory between Saskatchewan and the Missouri River Valley. For more than a century, the nomadic Blackfeet were regarded as the most militant tribe on the northwestern plains. Even in the dead of winter, when tracks in the snow could betray their location, they stole horses or plundered other tribes' camps. Frank C. McCarthy's In the Land of the Winter Hawk depicts the headlong flight of two Blackfeet warriors. As the two men race across the frozen landscape, the only noises breaking the late morning stillness are the quick breaths of horses and riders and the muffled sounds of hoof beats on the snow. F. M. |
FRANK
MCCARTHY
In the Shallows |
 |
paper |
850
signed and numbered |
20" x 14.25" |
$185 |
FRANK MCCARTHY
The Last Stand: Little Big Horn |
 |
paper |
1500 signed and numbered |
18" x 32 " |
email price request |
| FRANK MCCARTHY
Lone Sentinel |
 |
giclee canvas |
150 signed and numbered |
27" x 20" |
email price request |
FRANK MC CARTHY
The Long Knives |
|
anniversary edition giclee canvas |
not to exceed 100 signed and numbered |
20" x 30" |
$795 |
An army patrol scours the dry and dusty but spectacular canyon country in search of Indians, who refer to the cavalrymen as "Long Knives" for the sabers they carry. Though the men on these exhausting patrols rarely found Indians, they did learn the lay of the land and their geographic discoveries helped to create some of the first maps of the Southwest.
The Long Knives is not artist Frank McCarthy's first depiction of the tireless patrolmen of the Southwest. In Scouting the Long Knives , he painted an Apache scout hiding behind a sandstone boulder as he watched a column of the horsemen pass. Frank McCarthy's gift was his ability to create compelling and dramatic paintings, but his talent was his determination to share both sides of a story. F.M. |
| FRANK MCCARTHY
Navajo Ponies for Comanche Warriors
|
 |
paper |
1000
signed and numbered |
18.25" x 27" |
$225 |
FRANK MCCARTHY
On the Old North Trail (Triptych) |
 |
paper |
650 signed and numbered |
19" x 58.5" |
email price request |
FRANK MCCARTHY
Out of the Mist They Came |
 |
paper |
1000 signed and numbered |
17" x 28" |
email price request |
FRANK
MCCARTHY
Patrol at Broken Finger |
 |
paper |
750 signed and numbered |
23" x 17.25" |
email price request |
FRANK MCCARTHY
The Pursuit (Triptych) |
 |
paper |
650 signed and numbered |
19" x 58.5" |
email price request |
|
FRANK MCCARTHY
Race with the Hostiles |
 |
paper |
1000 signed and numbered |
11.5" x 23.75" |
email price request |
FRANK
MCCARTHY
Roar of the Falls |
 |
paper |
950
signed and numbered |
24" x 15.5" |
$195 |
|
I had a good time doing this painting,. It is a combination
of many forms of Western action. There's the galloping of the horses, but
also the rushing of the water and even the movement of the clouds above. -
Frank McCarthy
Roar of the Falls shows once more why Frank C. McCarthy is universally
considered the "master of Western action" who can create
"moving" pictures like no other. This combines his artistic
strengths for a thrilling image of Sioux warriors surging across Wyoming's
Yellowstone Territory. The dramatic action is emphasized in the artist's
carefully documented setting of shadow and light, and of rock and lichen. |
| FRANK MCCARTHY
Scouting the Long Knives |
 |
anniversary giclee canvas |
not to exceed 150 signed and numbered |
16" x 40" |
$875 |
| FRANK MCCARTHY
Splitting the Herd
|
 |
paper |
550
signed and numbered |
14" x 9"
14" x 18.25"
14" x 9" |
$465
(3-piece set) |
FRANK MCCARTHY
The Taunt |
 |
giclee canvas |
75 signed and numbered |
28" x 14" |
$695 |
In his long and storied career, Frank McCarthy earned renown for many things-his attention to detail, his insistence on historical accuracy, his first-rate storytelling ability-but none were more celebrated than his eye for design. "The Dean of Western Action," as he came to be known, brought from his early days as a commercial illustrator an understanding of visual design that makes his action-packed paintings the finest of their type.
In The Taunt, a band of Plains warriors races across the prairie with their opponents in hot pursuit. The frenetic action of the story is made infinitely more exciting by McCarthy's compelling design, which leads the viewer's eye through the painting like a hawk tracking a hare. Any serious collector of Western art cannot consider their collection complete if it does not contain a McCarthy, who is truly an original American master! |
FRANK MCCARTHY
Under the Ancient Sun Sign |
 |
|
canvas |
75 signed and numbered |
12" x 9" |
$225 |
Frank McCarthy’s iconic warriors travel through the vast, time-carved canyon in Under the Sun Sign. “You can find these petroglyphs in Arizona, New Mexico, Utah, Texas and all over the Southwest,” said Frank McCarthy. “Everything changes, people move on and cultures die out … but many leave the story of their passing.” |
|
FRANK MCCARTHY
Warriors of the Northern Mountains |
 |
giclee canvas |
75
signed and numbered |
16" x 8" |
$245 |
| FRANK MCCARTHY
When the Land was Theirs
|
 |
paper |
1000
signed and numbered |
24" x 16" |
$225 |
|
FRANK MCCARTHY
Whirling, He Raced to Meet the Challenge |
 |
paper |
1000 signed and numbered |
18.75" x 26" |
$175 |
| anniversary edition giclee canvas |
not to exceed 150 |
17" x 26" |
$750 |
| Whirling, He Raced to Meet the Challenge is a sight to make the blood run cold. A resplendent Blackfeet warrior, galloping through the boulder-strewn creek, swinging his deadly gun stock war club is ready to meet his Sioux enemy head-on much as the knights of old did. The fight will be hand-to-hand, as befits a man whose existence has centered around warfare and to whom honor means more than life. |
Copyright © 1999 Gallery One - 7003 Center Street - Mentor, Ohio - 44060
Phone 1-800-621-1141 or 1-440-255-1200
Last modified:
July 14, 2008
|