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"Issue price" refers to the price established by the publisher or artist when the item is released. We maintain that price as long as possible. Once the item is "sold out" and only available thru "secondary" or "resale" sources, pricing can vary day by day or hour by hour as resales occur. In such instances, the prices you see on our website may represent the last of those items sold as opposed to today's price. That is why we often tell you to "email" for pricing. And that is why prices often change without notice. For your convenience, items are priced without frames unless otherwise indicated.
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In compliance with Federal Copyright Laws, the art work you are purchasing is legally yours, yet the artist retains the copyright in and to the image, including all reproduction rights.
Relative to original art, you may be requested by the artist to lend him/her the artwork for a period of time so that it may be photographed under the direction of the artist. Or the work may be requested for use in a museum exhibition. In all such instances, shipping and insurance will be handled by the artist or by Gallery One on behalf of the artist.
Such exposure is extremely desireable as it usually enhances the value of the art.
So that we may locate original art if needed, we ask that you notify Gallery One should you relocate or transfer the ownership of the art that you are purchasing from Gallery One.
Images are copyrighted
and subject to price and availability. Image sizes are approximate. Artwork is MINT unless indicated to the contrary. |
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Peggy Snyder, CPF
Norah Lynne Brown, CPF
Alan Brown, CPF |
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James C. Christensen - Chess Match, The
Price:
$225.00
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Code: CHRCH4
Release Year: 2011
Size (inches): 16 x 24
Form: limited edition print on paper
Edition Size: 500 numbered and hand signed by the artist
Artist Proofs: call or email to check on availability.
Custom Framing: available upon request
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| There are 1,327 named openings and variations to a match in The Oxford Companion to Chess, but how can a player remember any of them when the day’s spectators include a pair of dragons? Actually, I don’t think anyone is worried about them at all. They enjoy a well played game. It’s the little guys with the lances that get ornery when they are captured.
These characters are quite passionate about the game. You’ll notice that they’ve incorporated the checkerboard pattern into their clothing and even onto the castle walls. But, they’ve only learned the game as distant observers, somewhat like you or me getting fascinated over a rugby match on the Aussie Channel. We could get all excited, run into the backyard and form up a scrum but we wouldn’t know the nuances of the game. Still, we’d have all sorts of fun and maybe even lose some teeth in the process.
The two players remind me of Oberon, in red, and Titania, in blue, from Shakespeare’s Midsummer Night’s Dream, each with their own castles and followers. Instead of playing with the traditional black and white pieces, I was going to tip a hat to Alice in Wonderland by using red and white. From a design point of view, it was a little boring, so I went with blue instead of white. I didn’t think much about it until a friend stopped by and pointed out that I happened to choose the colors of Utah’s own Holy War--the University of Utah (red) vs. BYU (blue).
There is little doubt that the two queens, one with her magical staff and the other with her broadsword, are the most powerful players on the board. The kings, being slightly less so, have compensated for their diminutive stature with rather tall thrones. At this point in the game, the blue king has opted for a nap, while the red king does his best to direct traffic with a staff not as potent as his queen’s.
I had fun playing the different pieces off of each other. Knights, castles and kings all employ minions and ogres to move them about the field. The red bishop is very “Rome,” as if he has just arrived, ornate mitre and all, from a conference at the Vatican. His counterpart is a red-haired, crazy druid running around (technically, diagonally) with a bunch of skulls on his belt. You have the Napoleonic, Great Garabaldi pawn in the foreground very serious and very fired up for his role while his opposite number seems to be having trouble mustering any real sincerity.
Then, there’s the crowd that surrounds the main event. Advisors, apprentices and dragons are part of the action. Like children mimicking adults, a group of faeries plays their own version of the game. A traveling salesman, in this case a “pawn-broker,” entices the locals with his wares. A chip monk hides in the woods holding a pawn. Has he swiped it, or is he looking to get in a game?
An old, lost king lies half buried in the ground. Seventy-eight of his companions, known as the Lewis Chessmen, were discovered in 1831 on the Isle of Lewis, Scotland. These medieval ivory pieces date back to the 12th century and are believed to have been brought to the Scottish islands by the Norwegians, who ruled Scotland at the time.
For those who know me well and that think I’ve forgotten something here, I haven’t. Hidden in the forest are at least three (maybe more) fish adding their enchantment to the day’s festivities. After all, it wouldn’t be a Christensen without magic in the air….. And, oh, by the way, it’s red’s move. - JCC

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$695.00 |
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Code: CHRCH5
Size (inches): 24 x 36
Form: limited edition giclée on canvas
Edition Size: 250 numbered and hand signed by the artist
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$2,950.00 |
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Code: CHRCH6
Size (inches): 48 x 72
Form: limited edition giclée on canvas
Edition Size: 25 numbered and hand signed by the artist
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