FLORAL ARTISTRY
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BEV DOOLITTLE
Always Greener |
 |
original lithograph |
100 signed and numbered |
8" x 12" |
email price
request |
BEV DOOLITTLE
Art of Camouflage |
 |
poster |
unsigned |
28" x 22" |
$25 |
| poster |
signed |
28" x 22" |
$55 |
BEV DOOLITTLE
Beyond Negotiations |
|
MasterWork giclee canvas |
3750 edition size |
16" x 44" |
$795 |
| MuseumEdition giclee canvas |
350
edition size |
26" x 72" |
email
price
request |
There's no need for the subtlety of camouflage to enhance the storyline of this painting, the meaning is clear: the time for talking is over. " Beyond Negotiations is one of a few action pieces that I've created," says the
artist. "I had a lot of fun with gestures, facial expressions and creating a sense of depth and dust. Containing the charging Indians within a long horizontal border was not an option. This image sums up the results of all
the negotiations leading up to the present moment (whatever they may have been!) The fact that the image is bursting at the seams helps to emphasize the immediacy of the warriors' obvious negative response to the last proposal." The original artwork for Beyond Negotiations is not only Bev's first acrylic painting in over thirty years, but her largest ever. The piece began its life as a stone lithograph, but when Bev saw her sketch enlarged, she knew these warriors were destined to become a big painting.
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BEV DOOLITTLE
Blue Mesa |
 |
poster |
signed |
20" x 24" |
$30 |
BEV DOOLITTLE
Bugged Bear |
 |
paper |
1000
signed and numbered |
19.5" x 19.5" |
email price
request |
|
One day I was following a hillside trail in Canada's Jasper National Park when I spotted a great blue heron fishing a shallow mountain pool. I crept quietly through the trees and brush to reach a good vantage point, and snapped a couple of photos. I then stepped down directly at the big, unmistakably fresh tracks of a grizzly bear.
At the time those footprints in the mud were the closest I'd ever come to a grizzly. Since then I've seen and even photographed them - at a distance - and I'd just as soon picture them happily sleeping off a big meal, nestled in a hillside of wild flowers! - B.D. |
BEV DOOLITTLE
Bugged Bear - porcelain |
 |
porcelain box |
6.75" x 6.75" x 3" |
$95 |
BEV DOOLITTLE
Calling the Buffalo |
 |
paper |
8500
signed and numbered |
13.75" x 33" |
email price
request |
| To the Plains Indian, the buffalo meant survival, food, shelter and clothing. The buffalo was a migratory animal, constantly on the move searching for forage and water. To hunt the herds in enemy territory meant danger as well as a long haul back to camp with hides and meat. However, the powerful magic of the Shaman could call to the spirits of the buffalo. When answered, a successful hunt was assured.
A medicine man of the Sioux has been chosen by his tribe to call the buffalo. His chants and prayers, aided by the powerful magic of a buffalo skull, are meant to entice the herds into his tribe’s territory. He casts all of this spiritual power into his call and the only question remaining is will the buffalo heed his summons. BD |
BEV DOOLITTLE
Christmas Day, Give or Take a Week |
 |
paper |
4581
signed and numbered |
19" x 18.5" |
email price
request |
With typical resourcefulness the mountain has found shelter, peace and warmth. He has unloaded his horse, gathered wood, made a fire and rigged a makeshift cooking stick for his meal of a local game bird. The great sequoia will take no harm from the small, cheerful blaze. If it gets really cold, he'll likely bring his horse right into the shelter of the tree-cave for the added comfort and warmth to both of them. He has even taken the time to cut down a small tree and decorate it with his meager possessions: a locket, a watch, an Indian shell necklace and a mirror.
He is alone, but he’s warm and will be well-fed. He expresses his spirit in his simple decorations. The soft snow provides the peace that goes with the season. But is it really Christmas? Without a calendar, this mountain man’s celebration may be off by a week. Does it matter? Not if the celebration is in the heart! BD
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BEV DOOLITTLE
Doubled Back |
 |
paper |
15,000
signed and numbered |
21.75" x 34" |
email price
request |
The grizzly bear is a very special animal. His presence adds an excitement that no other North American animal can match.
I’ve created this painting to share the sense of excitement I feel in grizzly country. The setting is a small mountain valley, The remnant show patches clearly show the tracks of a large grizzly.
How long has it been since the grizzly bear was standing right here...where is he now? Look closely at those tracks. The snow is crisp and clean and the edges haven't begun to melt yet. These grizzly tracks are fresh. How far ahead is he? Not far at all. - B.D.
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BEV DOOLITTLE
Eagle's Flight |
 |
paper |
1500
signed and numbered |
19.5" x 35.5" |
email price
request |
...through his mane and tail the high wind sings,
fanning the hairs, who wave like feather’d wings.
This line from Shakespeare was the inspiration for Eagle’s Flight. I wanted to portray Shakespeare’s words in both a literal and symbolic way.
I drew the horses in a state of fluid motion to emphasize speed and power. On a symbolic level, I arranged the horses and Indian in such a way that all the “darks” in the painting would create the image of an eagle in flight. The use of eagle feathers as decoration on the horse and rider was also used to emphasize the feeling of flight. BD
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BEV DOOLITTLE
Eagle's Heart |
 |
paper |
48,000
signed and numbered |
19.5" x 19" |
$285 |
In this painting, I used the Indian as a symbol for man living in harmony with nature. His belief in the eagle heart is so strong that he is surrounded by its spirit protectors and he becomes “one” with the spirit, rocks and snow. This is the message of my painting.
I have used camouflage techniques in Eagle Heart as in many other paintings to communicate an idea. Many people call me a “camouflage artist,” but that just isn’t true. If I have to be categorized at all, I like to think of myself as a “concept painter.” BD |
BEV DOOLITTLE
Escape by a Hare |
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paper |
1500
signed and numbered |
13.25" x 16.5" |
$870 |
This painting was practically constructed right outside my window. It’s a painting of the desert, where I live. The prickly-pear cactus, bunch grass and sand take on the long shadows of the early morning and evening — active times of the day for most desert animals. The black-tailed jack rabbits and red-tailed hawks are common sights. This is a painting of intense drama. I felt it would be even more intense by not actually showing the hawk, but rather only showing its shadow flowing over the ground and the running rabbit. BD |
BEV DOOLITTLE
The Forest Has Eyes |
 |
paper |
8544
signed and numbered |
21.5" x 39" |
email price
request |
A solitary rider glides his mount through the shallows of a stream. He leads a pack horse. He has entered the territory of hostile Native Americans. A feeling of apprehension and a sense of foreboding sweep over him. He studies the trees as they grow denser and press ever closer. It’s as though the Forest Has Eyes.
BD |
BEV DOOLITTLE
The Forest Has Eyes - porcelain |
 |
porcelain box |
7.5" x 5.5" x 3" |
$95 |
BEV DOOLITTLE
Four Corners |
|
original lithograph |
125 signed and numbered |
11" x 15" |
email price
request |
|
"Horses are such social animals and seem to emulate human behavior. Whatever their pecking order or whatever they may be communicating to each other, I always wonder what is going on," says Bev Doolittle, who captures a moment at a crossroads where horses have called an impromptu meeting. "Regardless of the space they have to roam, horses have nonetheless come from all corners of their world to gather like neighbors meeting over the backyard fence or a coffee klatch on a Sunday morning." |
BEV DOOLITTLE
Fox Haven |
 |
paper |
open
edition |
6" x 6" |
$35 |
BEV DOOLITTLE
Ghost of the Grizzly Tree |
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paper |
5000
signed and numbered |
28" x
23" |
$1975 |
|
I got the idea on a hike that Jay (Bev's husband) and I took in the High Sierras, a backpack trip. Everything I saw suggested a story. I saw a tree that looked like a bear and I pretended I was an eight year old Indian boy with my first bow and quiver of arrows. Of course, I'd want to shoot everything in sight and with a child's wild imagination I'd see fierce animals everywhere. - B. D. |
BEV DOOLITTLE
The Good Omen |
 |
paper |
1000
signed and numbered |
32.5" x 21" |
email price
request |
|
Occasionally, while hiking in the desert near my home, I'll be lucky enough to see a golden eagle. The sight of this great bird soaring free in its natural environment is always inspiring to me.
The eagle was also a source of inspiration for the Native Americans. Native Americans envisioned the golden eagle as a representative of the Great Spirit. Dressed in eagle feathers, they felt themselves to be surrounded by a part of the Great Spirits’s power. To view a golden eagle while on a raiding or hunting expedition was considered to be especially lucky. It was thought to be a Good Omen. BD |
BEV DOOLITTLE
Guardian Spirits |
  |
paper |
13,238
signed and numbered |
25.5" x 22.5"
(each) |
|
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In the companion portraits of "Guardian Spirits", a Blackfoot Indian rides forth in full dress, adorned with the feathers, pelts and claws of his animal protectors. Next we see him in the moment he has become aware of danger, warned by the spirit of the wolf he wears as a headdress. Fearless as the mountain lion whose pelt he uses as a riding cloth, he turns his face toward us and we see ferocity and cunning, wisdom and strength come alive to ride with him. There are eighteen spirit animals watching over this warrior. - B.D. |
BEV DOOLITTLE
Hide and Seek - mini |
 |
paper |
25,000 signed and numbered |
5.25" x 10.25" |
$225 |
BEV DOOLITTLE
Let My Spirit Soar |
 |
paper |
1500
signed and numbered |
28" x 22.25" |
email price
request |
This young Blackfoot Indian woman has come to her favorite place to reflect in the sun and to dream. Rather than paint her actual image reflected in the lake, I have chosen to symbolize her peaceful and uplifting thoughts in the form of birds soaring into the air. BD
(There has always been a mystical quality to the design and camouflage-oriented art of Bev Doolittle. Let My Spirit Soar is a print done in that tradition, while employing something new in the form of colors that the artist hasn’t used before in the print medium.)
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BEV DOOLITTLE
Let My Spirit Soar - porcelain |
 |
porcelain box |
5" x 5" x 2" |
$85 |
BEV DOOLITTLE
Mesa Ruins |
 |
paper |
open
edition |
6" x 6" |
$35 |
BEV DOOLITTLE
Mining Marigolds |
 |
original lithograph |
100 signed and numbered |
8" x 10" |
email price
request |
As a gardener, I am all too familiar with trouble rabbits can cause to a freshly planted flower bed. Often you don’t see them, just the remnants of their last meal. I encountered the mining cart one afternoon and was struck by the idea of what a great planter it would make. Put together, they create the joy of Mining Marigolds. BD |
BEV DOOLITTLE
Music in the Wind |
 |
paper |
43,500
signed and numbered |
10" x 36.5" |
$420 |
|
The best ideas usually turn up when they're least expected. After seeing a selection of Pre-Raphaelite posters, I became caught up with the possibility of creating a painting centered around romance. But first I needed an idea. An afternoon of dangling my feet in an Indian Canyon's oasis stream, sitting on a palm-shaded boulder, produced the basic concept for this print. Nature provides a chorus of lively sounds to both inspire and lift the human spirit, or to relax and soothe our troubled hearts. But how does an artist communicate the emotional spirit of music in a strictly visual medium? I believed nature would provide an answer . And it did. I chose to convey my inspiration both symbolically and literally - with the Native American flute player emerging from the Rocky Mountain landscape and with the Mountain Bluebirds taking off in flight. - B.D. |
BEV DOOLITTLE
Missed |
 |
paper |
3500
signed and numbered |
17 images |
email price
request |
| 17" x 13" x 3" |
|
Innumerable sketches go into the creation of a concept. Sometimes, I try out different approaches simply because I enjoy the fluid moves an animal will make. Here, the angle from which an attack has come governs the startled movement of the fox. The title of this painting - Missed - is the key to its story - a key that is hidden in plain sight. - B.D. |
BEV DOOLITTLE
New Magic |
 |
paper |
50,00
signed and numbered |
12" x 12" |
$245 |
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Chief Seattle once said, "We are part of the Earth, and the Earth is part of us." This special limited-edition print is accompanied by a slip-cased collector's edition book "Bev Doolittle: New Magic."
- B.D. |
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BEV DOOLITTLE
A New Way of Seeing |
 |
poster |
signed |
36" x 24" |
$25 |
BEV DOOLITTLE
No Respect |
 |
paper |
25,000
signed and numbered |
13.25" x 11.25"
|
email price
request |
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One can only imagine what life must be like for a chipmunk, especially when his front "door" is trod upon by a much larger and much higher member of the food chain - a grizzly bear. Grizzlies go wherever and whenever they want, seemingly without regard for anything in their path. So - what's a tiny chipmunk to do? I wouldn't know . I'm not a chipmunk, but I can imagine I'd bark out a protest to such a random, thoughtless gesture, and then go on and rearrange my front "door." From a human point of view, the title NO RESPECT seemed an appropriate one. - B. D. |
BEV DOOLITTLE
Painted Ladies |
 |
paper |
open
edition |
6" x 6" |
$35 |
BEV DOOLITTLE
Pintos |
 |
paper |
1000
signed and numbered |
21" x 21" |
email price
request |
|
I was observing a small group of chestnut horses in a grassy meadow when I became aware that they were "observing" me. This seemed like an interesting situation for a painting. I also thought it would be fun to have the horses observing you, the viewer, before you could find the horses!
So I began to think of ways to camouflage them.
The varied abstract markings of pinto horses suggested to me patterns of snow against rock, which seemed a natural solution for camouflage. The chestnut horses became Pintos, and the grassy meadow turned into a backdrop of rocks and snow. - B.D. |
BEV DOOLITTLE
Powers of One |
 |
original lithograph |
300 signed and numbered |
23" x 18" |
email price
request |
A member of the Bear Clan has called upon the unseen powers of his spiritual relations as he races towards an encroaching enemy. The forces of the bear imbued in the Indian rise about him as he goes into battle. The Bear Clans were the guardians, watchers and healers of the people, known for protecting their charges as fiercely as a mother bear protects her cubs. BD |
BEV DOOLITTLE
Prayer for the Wild Things |
 |
paper |
65,000
signed and numbered |
31.5" x 24" |
email price
request |
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Can you find the owl? The lynx? The grizzly bear or the eagles? There are 26 species in this image, represented by an even greater number of animals and birds. This limited-edition print is accompanied by a limited-edition compact disc recording by Paul Winter.
Real art comes from the heart. In the image, Prayer for the Wild Things, I’ve tried to express my feelings about our relationship with the wild animals we share this Earth with. I have tried to express, in harmony, my love for all the wilderness and its creatures. - B.D. |
BEV DOOLITTLE
Runs with Thunder |
 |
paper |
1500
signed and numbered |
23.75" x 22.25" |
email price
request |
To the Plains Indians, the buffalo meant life. The buffalo provided almost everything necessary to the Indian — food, clothing and shelter. It’s no wonder the animal was so highly revered.
The dramatic name of the image has many meanings. It’s an allusion to the sound created by the thundering hooves — and to the sound of thunder itself. And to the name of the Indian portrayed in the image. BD |
BEV DOOLITTLE
Rushing War Eagle |
 |
paper |
1500
signed and numbered |
17" x 25" |
email price
request |
From the time that an Indian is a boy, he seeks to become more and more like the animal he has chosen to be his helper throughout his life. When a warrior adorns himself with the eagle’s feathers, claws and bones, he brings to himself the special strengths and abilities of the great Eagle Spirit. BD |
BEV DOOLITTLE
Sacred Circle |
 |
paper |
40,192
signed and numbered |
26.5" x 26" |
email price
request |
The Sacred Circle is the circle of life; the delicate thread that unites all living things. Only man knowingly holds the thread. Of all the animals, only he has the intelligence to protect and preserve it. Only he can be the keeper of the sacred circle. BD |
BEV DOOLITTLE
Sacred Circle chapbook with Walk Softly |
 |
chapbook |
40,192
signed and numbered |
10.75" x 10" |
$315 |
| print |
8.5" x 7.75" |
I wanted to complete the Sacred Circle with this image because the wolf is the only animal which remains unseen in the Sacred Circle print and the wolf track is symbolic of all that is hidden in nature. My thought was to render this wolf track with great detail, as if it had just been made in fresh snow. This is a very thin layer of snow and the wolf track exposes the dark gravel, hints of vegetation, pine needles and all that helps to define the hidden wolf spirit image of the wolf that made the track. Wolf and grizzly tracks have always been magic to me. They seem to retain a spirit-like essence of the animal that made them. My idea was to bring that special feeling to life. BD |
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BEV DOOLITTLE
Sacred Circle - poster |
 |
hand-signed
poster |
24" x 18" |
$100 |
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BEV DOOLITTLE
Sacred Ground |
 |
paper |
69,996
signed and numbered |
11.5" x 38.75" |
email price
request |
In Sacred Ground, a mountain man senses that he has intruded on land sacred to Native Americans, guarded by chieftains brave as eagles. He feels watched. Threatened. He tell himself that it is only his imagination. But his horse trembles and plunges forward, wild to be away. BD |
BEV DOOLITTLE
Season of the Eagle |
 |
paper |
36,548
signed and numbered |
30.75" x 21" |
email price
request |
Season of the Eagle developed out of the many summer backpacking trips I’ve taken. In the mountains, there are crevices and deeply shaded places where the snow melts very slowly. Watching these changes over time, I got the first spark of an idea for this work.
There is nothing more beautiful than a mountain landscape. As the summer sun melts off the winter snow, rock cliffs and talus slides begin to appear. As the summer progresses, the snow pack continues to recede until only the deep drifts and rocky recesses remain. BD
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BEV DOOLITTLE
Season of the Eagle - porcelain |
 |
porcelain box |
8.5" x 6" x 1.75" |
$85 |
BEV DOOLITTLE
The Sentinel |
 |
paper |
35,000 signed and numbered |
18" x 15" |
email price
request |
| The mood for The Sentinel comes from a memory I have of an early evening walk I took in the town of Lodge Grass on the Crow Indian Reservation in Montana. It had just stopped raining. As the sun dropped below the rain clouds, it produced a golden sunset and a spectacular double rainbow.
Look closely: both the brave and the earth itself wear a wolf headdress. Cementing their bond, and their responsibility to each other, is a glorious rainbow and its reflection - an image that brings "The Sentinel" full circle. - B. D. |
BEV DOOLITTLE
Shoshone Crossing |
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