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ROBERT BATEMAN - LIMITED EDITIONS & MORE |
ROBERT BATEMAN CAME TO GALLERY ONE JUNE 14
FREE ROBERT BATEMAN FINE ART POSTER with your order!
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ROBERT BATEMAN
Yellow Rumped Warbler |
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paper |
950 signed and numbered |
9.5" x 14" |
$525 |
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With the frost and the shortening days of September come the flocks of migrants. The yellow-rumped warbler is usually the first to move north in the spring. In this painting, I decided to let the bird subject be subservient to the rich foliage. Woodland and meadow come together with this flaming white ash and mellow goldenrod. - R. B. |
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ROBERT BATEMAN
Yeti |
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paper |
950 signed and numbered |
10" x 8" |
$85 |
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There have been many sightings and observations of the Yeti's tracks, plus endless stories from local people, but no specimen or good photographs. It was enjoyable for me to construct this creature by combining features from living apes and primitive humans. It was important to me to give him a sense of time and place, as if you had come around a cliff and surprised him. He is giving you an unsettling glance before he strides out of sight and disappears in the snowy vastness. - R. B. |
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ROBERT BATEMAN
Young Barn Swallow |
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paper |
950 signed and numbered |
20.5" x 15" |
$1345 |
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Modern Buildings do not seem so ready to accommodate nature as the barns and houses of our pioneers, in which time and weather produced an ever-changing variety of surfaces. This fully-fledged young barn swallow is about to take his first flight in the open air. - R. B. |
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ROBERT BATEMAN
Young Elf Owl - Old Saguaro |
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paper |
950 signed and numbered |
7.5" x 11" |
$305 |
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Growing to 60 feet, saguaros are the giants of the cactus world. As they grow older, they fall apart. I have seen some that are like magnificent ruined castles. They make the best roosting and nesting sites for many creatures - here, the smallest of owls, the elf owl. - R. B. |
ROBERT BATEMAN
Young Giraffe |
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lithograph |
290 signed and numbered |
36" x 16" |
email price request |
The young giraffe rises from a profusion of grasses, and its patterned, rust- colored spots follow the curve of the neck nearly to the top of the paper. The dust infused atmosphere of Africa is suggested by the blending of dry colors of muted gray and saffron in the soft, multi-textured background of this original print. In spite of its size, the giraffe is a strangely delicate animal and Bateman's composition and color choices emphasize this beautifully. |
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ROBERT BATEMAN
Young Kittiwake |
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paper |
950
signed and numbered |
15" x 11" |
$190 |
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The kittiwake is a bird of the open ocean. Virtually never do you see a kittiwake out of sight of salt water. Occasionally, however, flocks of them will come to bathe in fresh water ponds near the seashore. They live in colonies on steep, rocky cliffs hanging directly over the sea. I have visited kittiwake colonies in many different parts of the world, and it is always an exciting affair with plenty of noise and a very special aroma. - R. B. |
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ROBERT BATEMAN
Young Sandhill Cranes |
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paper |
950
signed and numbered |
14" x 33.25" |
$220 |
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I particularly like the plumage of the juvenile sandhill crane. There is a pleasant and subtle pattern of light rust and purplish gray with almost heraldic embellishments in detail. - R. B. |
ROBERT BATEMAN
Young Snow Leopard |
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paper |
950 signed and numbered |
19.5" x 15.75" |
$290 |
This painting was done for the international Snow Leopard Trust, in response to the need to preserve this endangered species. The only hope for human life and wildlife in the Himalayas is to work out plans for community projects involving low impact economic development and wildlife protection. The trust is working in many Himalayan countries with the ethnic groups. - R. B. |
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ROBERT BATEMAN
Young Snowy Owl |
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paper |
950 signed and numbered |
12.25" x 9.75" |
$235 |
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This drawing exhibits a somewhat different technique for me. I worked with charcoal on very rough watercolor paper so that the texture of the paper would give the feeling of the loose, fluffy plumage of the bird. The beak, feet and eyes of this young snowy are hand-colored in watercolor, so each print in the edition is different. - R. B. |
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Last modified:
June 17, 2008
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