FLORAL ARTISTRY
Images are copyrighted
and subject to price and availability. Image sizes
are approximate.
Artwork is MINT
unless indicated to the contrary. |
Gallery One is your
authorized dealer for
Collector's Editions
Disney Fine Arts
Greenwich Workshop
Mill Pond Press
Banovich Editions
Thomas Kinkade
Somerset House
Applejack, Pino & others.
Ask about
CUSTOM FRAMING
for our web clients!
CALL 800.621.1141
for details. |
and take advantage of
FREE design services
for our clients throughout the Americas and abroad! |
SERIOUS COLLECTORS!
Gallery One is your leading source for originals by internationally-known artists.
Call Alan Brown at 800.621.1141 or email art@galleryone.com
for details.
Terms can be arranged. |
GALLERY HOURS
Monday-Thursday & Saturday
10 a.m. to 6 p.m.
Friday: 10 a.m. to 9 p.m.
Sundays for Christmas
12 to 4 p.m.
Other hours by appointment!
XE.com Personal Currency Assistant
OUR E-MAIL POLICY
*We respect your privacy,
so we NEVER sell or trade
our
email or snail mail addresses.
As a courtesy,
people who email inquiries
are included
on our very private email list
so that they will get advance notices
of artist shows,
special events,
sales and new releases.
To unsubscribe,
click the link
at the bottom of your email.
|
ROBERT BATEMAN - LIMITED EDITIONS & MORE |
ROBERT BATEMAN CAME TO GALLERY ONE JUNE 14
FREE ROBERT BATEMAN FINE ART POSTER with
each order!
|
ROBERT BATEMAN
Majesty on the Wing |
 |
paper |
950
signed and numbered |
18" x 30" |
$1950 |
|
The air is the eagle's domain, and I wanted to capture the presence of the atmosphere. The wings seem to seize volumes of air. I have orchestrated the shapes of the snow patches to echo the strokes of the wing feathers and to emphasize the thrust of the bird through the air. - R. B. |
|
ROBERT BATEMAN
Majesty on the Wing - Bald Eagle |
 |
paper |
signed fine art
poster |
24" x 18" |
auction only |
|
ROBERT BATEMAN
Mallard Family at Sunset |
 |
paper |
950 signed and numbered |
15.75" x 21.25" |
$220 |
|
I really enjoy visiting the marshlands at any time of year, but it is especially exciting in the springtime when there is a chance of finding nests or seeing broods of young birds. This is a marsh along the eastern seaboard. We had had an exciting day observing laughing gulls, oystercatchers and ospreys. At the end of the day, I was lingering to enjoy the patterns of glowing light and strong dark silhouettes. The scene was very satisfying, even from the strictly abstract point of view, but my excitement was enhanced when a little piece of silhouette detached itself and became a hen mallard with her brood of downy ducklings hurrying to find a safe place for the night. - R. B. |
|
ROBERT BATEMAN
Mallard Family - Misty Marsh |
 |
paper |
950 signed and numbered |
6.25" x 10" |
$185 |
|
The mallard is perhaps the best known duck in the world. It would seem that its population should prosper throughout its range, however, due to various factors, some of these populations are seriously declining. Over-hunting and habitat reduction may be involved. - R. B. |
|
ROBERT BATEMAN
Mallard Pair - Early Winter
1985 - First of Canada Duck Stamp Print |
 |
paper |
950 signed and numbered |
6.25" |
$175 |
|
The mallard is perhaps the best known duck in the world. It would seem that its population should prosper throughout its range, however, due to various factors, some of these populations are seriously declining. Over-hunting and habitat reduction may be involved. - R. B. |
|
ROBERT BATEMAN
Mangrove Morning - Roseate Spoonbills |
 |
paper |
2000 signed and numbered |
24.75" x 19.5" |
$660 |
|
This painting is loosely based on a scene I witnessed in the Everglades one beautiful Easter morning; I rearranged it, however, to create the feeling of an oriental tapestry. I wanted to give an effect similar to old shot silk. I played with the colors so that they would be somewhat tropical and lavish, perhaps reminiscent of a Gaugin painting. - R. B. |
ROBERT BATEMAN
Mangrove Shadow - Common Egret |
 |
paper |
1250 signed and numbered |
19.25" x 26.75" |
$285 |
|
Mangrove Shadow is a subdued scene of stillness - only the tail feathers of the bird disturb the water - yet there is also the anticipation of the dusk hunt and the strike of the predator. This is a scene of shadows and reflections, of the eerie mangrove depths, where dangers are easily concealed among the tropical roots and dark, waxy foliage. - R. B. |
ROBERT BATEMAN
Manor House - Wren and Roses |
 |
paper |
950 signed & numbered |
20.5" x 20.25" |
$165 |
| giclee canvas |
180 signed and numbered |
24" x 26" |
$795 |
|
ROBERT BATEMAN
Marbled Murrelet |
 |
serigraph |
55 signed and numbered |
33" x 37" |
$1200 |
|
Paddling my canoe around Salt Spring Island, I often see marbled murrelets bobbing and diving for small fish. Only recently have researchers discovered that these birds actually nest on the pads of moss growing on the high branches of ancient trees in British Columbia's old-growth forests, evidence of the interdependence of species and of the importance of virgin forests in ensuring biodiversity. These tiny relatives of the auks and puffins - almost always seen in pairs - look so unlikely riding the sea swells; I always imagine they will simply get swallowed up in the vastness of the ocean. - R. B. |
|
ROBERT BATEMAN
Marginal Meadow |
 |
paper |
950 signed and numbered |
18.5" x 27.25" |
$225 |
|
In working to convey the idea of air and space and depth around all these plants, I imagined that I was a field mouse running in and out through them or an insect buzzing around them. Although it is on a small scale, this is still a landscape and is based as much on rhythmic patterns and impressionist and cubist techniques as on meticulous detail. - R. B. |
|
ROBERT BATEMAN
Master of the Herd - African Buffalo |
 |
paper |
950 signed and numbered |
18" x 27" |
$2500 |
|
The African buffalo is perhaps the most exciting member of the bovine family. He is sometimes mistakenly called the water buffalo, but he is a far cry from that rather slovenly domestic beast of Asia. The African buffalo is more like a wild, free, fighting bull on a much more massive scale. He is considered by most expert hunters as the most dangerous quarry in Africa. - R. B. |
|
ROBERT BATEMAN
The Mating Game |
 |
paper |
1500
signed and numbered |
18" x 13 .75" |
$95 |
| canvas |
350
signed and numbered |
21" x 16" |
$295 |
|
ROBERT BATEMAN
May Maple - Scarlet Tanager |
 |
paper |
950 signed and numbered |
8.5" x 15.25" |
$510 |
|
The scarlet tanager is perhaps the most vivid, almost tropical-looking bird of the Temperate Zone. He seems out of place in the green deciduous forests of the Northeast, but that is where he belongs. The red is really what I call vermilion, a sort of orange-red rather than scarlet. It seems to be lit from within, even on dull day. - R. B. |
|
ROBERT BATEMAN
Meadow's Edge - Mallard |
 |
paper |
950 signed and numbered |
15.75" x 22.75" |
$825 |
|
In this picture, I have shown the mallard drake as a birder often sees him, in a rather quiet, almost domestic scene. I have used back lighting and a color combination of flowers, grass and water to harmonize with the colors of the bird. While the hen is busy with the young, this mallard is taking a rest in the midst of a preening session. - R. B. |
|
ROBERT BATEMAN
Merganser Duckling |
 |
bronze |
250 signed and numbered |
4" high |
$3250 |
|
This sculpture was made as a reference for my painting, Merganser Family in Hiding. I had no photographic reference, and museum specimens of baby birds leave something to be desired. Typical museum specimens are smooth and elongated so that they can fit into storage trays. Baby waterfowl are far from shapeless; they are very sculptural in form. Feathers do not disguise the various pieces of their anatomy. The coating of fuzz, if anything, exaggerates the concave and convex forms. The living bird is a little work of art of its own. Mergansers are, of course, a member of the duck family. The main difference between mergansers and other ducks is the elongated bill with a slightly crooked tip and a row of teeth along the sides. This makes it an admirable fish feeder. Virtually every summer since I was eight years old, I have been visiting a particular lake in north country. The main breeding duck in the area is the American merganser. Each summer we look forward to the little parade of mothers and young making their way around the shoreline. They are feeding on baby fish, which have conveniently timed their hatching to inadvertently aid in the merganser's growth. At the first sign of danger, the mother makes a low noise, and the whole family goes into hiding. As a boy, I sometimes did something I would now forbid my children to do. I would follow them in a canoe to get a better look. On one occasion I caught one of the nestlings and did a quick little painting of it. I then found the family and put it among the rocks where the others were hiding, so I am sure the story had a happy ending. It gives me a sense of satisfaction to know that this little painting done at the age of 15 was my best source of reference for the sculpture and painting I did over 30 years later. - R. B. |
|
ROBERT BATEMAN
Merganser Family in Hiding |
 |
paper |
950 signed and numbered |
17" x 27" |
$1345 |
|
I have always liked swamps. They are lush and sheltered and rich with a great variety of life. They also have an air of mystery. The merganser family lives in the shelter of this swamp, hiding in nooks and crannies if danger increases. - R. B. |
ROBERT BATEMAN
Meru Dusk - Lesser Kudus |
 |
paper |
950 signed and numbered |
11.25" x 17" |
$135 |
This portrait of two lesser kudus was taken from a real life experience. In 1988 while visiting Meru Park in Kenya, Bateman and his family came upon this exact scene. Kudus are usually very elusive and skittish animals. Their preferred habitat of thickets and acacia scrub makes getting close to them a rare occurrence. In this painting Bateman sought to recapture that moment when he first saw the kudus, including the soft browns and greys of the animals and the gentle slanting light that played over the whole scene. |
ROBERT BATEMAN
Midnight - Black Wolf |
 |
paper |
25352
signed and numbered |
23" x 30.5" |
$1695 |
| giclee canvas |
550 signed and numbered |
30" x 40" |
$3250 |
| giclee canvas |
99 signed and numbered |
36" x 48" |
$3650 |
|
In this painting I wanted to show the ominous presence of a mature, lone wolf, I wanted to create a mood of seriousness and respect - not threat. From the artistic point of view, I was intrigued by the challenge of portraying a black animal on an almost black background. It is something like playing a whole piano composition in half an octave of the bass section. - R. B. |
ROBERT BATEMAN
Midnight - Black Wolf
Deluxe Edition |
 |
paper |
950 signed and numbered |
23" x 30.5" |
$1670 |
 |
lithograph |
5.25" x 12.5" |
|
In this painting I wanted to show the ominous presence of a mature, lone wolf, I wanted to create a mood of seriousness and respect - not threat. From the artistic point of view, I was intrigued by the challenge of portraying a black animal on an almost black background. It is something like playing a whole piano composition in half an octave of the bass section. - R. B. |
|
ROBERT BATEMAN
Mill Pond - Canada Geese |
 |
paper |
950 signed and numbered |
18.25" x 24.25" |
$195 |
|
ROBERT BATEMAN
Mill Pond - Canada Geese
Premier Edition |
 |
paper |
250 signed and numbered |
18.25" x 24.25" |
$495 |
 |
lithograph |
7" x 9" |
|
ROBERT BATEMAN
Mischief on the Prowl - Raccoon |
 |
paper |
950 signed and numbered |
9.5" x 18.5" |
$280 |
|
The raccoon pictured here has found a crayfish and has taken it to a beaver dam for his snack. He is where he belongs - in the wild. - R. B. |
|
ROBERT BATEMAN
Misty Coast - Gulls |
 |
paper |
950 signed and numbered |
24" x 17.75" |
$450 |
|
These glaucous-winged gulls are standing amid bladderwrack seaweed, barnacles, limpets and other mollusks. Although these are foods for other creatures, they are not part of the gulls' diet. The gulls are waiting for stranded fish, crabs or shrimp to appear in this ever-changing cafeteria of the sea. - R. B. |
|
ROBERT BATEMAN
Misty Lake - Osprey |
 |
paper |
950 signed and numbered |
7.75" x 11.75" |
$225 |
|
The osprey is a bird of lakes or coastal bays. I have seen them in Australia; Baja, California and Florida, but the typical place in my mind would be one of the myriad lakes of the forested north country. Of course, the key ingredient of where they live would be fish. Indeed they are sometimes called "fish hawks." - R. B. |
|
ROBERT BATEMAN
Misty Morning - Loons |
 |
paper |
950 signed and numbered |
15.5" x 23" |
email price request |
|
The canoe slides among the rushes in the early morning mist. I try to dip the paddle without making a sound. The atmosphere is glowing golden green, adding depth and distance to objects even near at hand. Suddenly, the stately pair appears. - R. B. |
|
ROBERT BATEMAN
Momentum - Siberian Tiger |
 |
paper |
1500 signed and numbered |
19.5" x 32.5" |
$195 |
| giclee canvas |
180 signed and numbered |
24" x 40" |
$895 |
| giclee on archival board |
180 signed and numbered |
24" x 40" |
$1250 |
| showstopper giclee canvas |
50 signed and numbered |
40" x 66" |
$3200 |
|
ROBERT BATEMAN
Moose at Water's Edge |
 |
paper |
950 signed and numbered |
6.25" x 9.25" |
$180 |
|
Although the moose appears to be ungainly he is the tallest North American hoofed mammal and, in many ways, is very stately. This moose has emerged onto a sandy spit in the early morning glow. Fall is approaching, and this bull is perhaps looking for a mate or a rival. - R. B. |
|
ROBERT BATEMAN
Moose in the Moonlight |
 |
paper |
950 signed and numbered |
23" x 30" |
$195 |
| giclee canvas |
180 signed and numbered |
30" x 40" |
$850 |
|
ROBERT BATEMAN
Morning Calm |
 |
giclee canvas |
250 signed and numbered |
18" x 36" |
email
price request |
|
ROBERT BATEMAN
Morning Cove - Common Loon |
 |
paper |
950 signed and numbered |
9.25" x 15.25" |
$185 |
|
On these beautiful, still summer mornings, there was always that lazy moment before the shock of the little splash when we would take in the morning sun and the summer scents and look into the water. In those days, there were no motorboats, and, with such tranquility, there was always the chance of seeing a loon in close to shore looking for easy minnows. - R. B. |
|
ROBERT BATEMAN
Morning Dew - Roe Deer |
 |
paper |
950 signed and numbered |
14.75" x 20" |
$155 |
|
No deer have adapted better to human settlement than the roe deer. They are relatively small, 29 to 30 inches at the shoulder, and can easily hide in a farm field, hedgerow or wood lot. This is a "big" buck in a typical nervous pose as he comes out of the forest to graze the meadow in the early morning dew. - R. B. |
|
ROBERT BATEMAN
Morning on the Flats - Bison |
 |
paper |
950 signed and numbered |
10.25" x 19.5" |
$415 |
|
In certain parts of the Western Mountains, geological disturbances have produced geyser and hot spring activity. The misty atmospheric effects caused by the warm, moist air in these areas appeal to me. - R. B. |
|
ROBERT BATEMAN
Morning on the River - Trumpeter Swans |
 |
paper |
950 signed and numbered |
10.5" x 20" |
$150 |
|
Trumpeter swans are among the largest and strongest of the waterfowl. They once had a large range in the wild areas of North America, but their numbers became so reduced that they became endangered. The comeback of the trumpeters is one of the good news stories of conservation efforts. - R. B. |
|
ROBERT BATEMAN
Mossy Branches - Spotted Owl |
 |
paper |
4500 signed and numbered |
15" x 18.5" |
$425 |
|
I see the spotted owl as a kind of hapless symbol of what we have to do to preserve a huge and very important ecosystem - the North American temperate rain forests. We go around to international congresses, telling others to stop cutting down their rain forests, when we are, in fact, much closer to cutting down the last remaining old-growth rain forests on our own continent. The spotted owl needs large tract of unbroken forest to survive. When these tracts are sliced up by logging operations, others predators come in. The spotted owl cannot stand the competition and becomes extinct in that area. - R. B. |
|
ROBERT BATEMAN
Mossy Branches - Spotted Owl
Prestige Edition |
 |
paper |
450 signed and numbered |
15" x 18.5" |
$455 |
 |
lithograph |
6.5" x 15" |
|
I see the spotted owl as a kind of hapless symbol of what we have to do to preserve a huge and very important ecosystem - the North American temperate rain forests. We go around to international congresses, telling others to stop cutting down their rain forests, when we are, in fact, much closer to cutting down the last remaining old-growth rain forests on our own continent. The spotted owl needs large tract of unbroken forest to survive. When these tracts are sliced up by logging operations, others predators come in. The spotted owl cannot stand the competition and becomes extinct in that area. - R. B. |
ROBERT BATEMAN
Mountain Meadow - Dall Sheep |
 |
paper |
950 signed and numbered |
12.25" x 15.25" |
$150 |
|
ROBERT BATEMAN
Mowed Meadow |
 |
paper |
950 signed and numbered |
11" x 16.75" |
$110 |
|
Mice are a much-maligned group of creatures. They are seldom seen and little understood. They are, in fact, deeply resented because of their tendency to help themselves to our products. They were here long before we were, and they don't need us, but they do take advantage of us when they get the chance. - R. B. |
| ROBERT BATEMAN
Mule Deer in Aspen |
 |
paper |
950 signed and numbered |
18.5" x 23.75" |
$155 |
|
I wanted to convey this landscape using large, empty white spaces that darken toward the top, while the dark trees are modulating in the opposite direction. Technically, I found this a particular challenge because I am so used to working with opaque paint, and I can paint light or pale lines over already painted dark areas. But working here with pencil, I had to do all my shading in between the light twigs. - R. B. |
ROBERT BATEMAN
Mule Deer in Snow |
 |
paper |
2500 signed and numbered |
8.25" x 10" |
$70 |
Another in a series of Affordable Treasures. Small prints that are perfect for special gifts for yourself and for giving others, without a large price tag. This one depicts a frozen moment in time. The virgin snowfall in the forest , a sound is heard and the deer becomes immobile facing the intruder. - R. B. |
|
ROBERT BATEMAN
Mule Deer in Winter |
 |
paper |
950 signed and numbered |
12.25" x 19.5" |
$195 |
|
In the West, the mule deer is found in a great variety of habitats. It may be found in the hot low deserts or the high, cool mountains. For this painting, I have chosen typical winter habitat on the lower slopes of the mountains. - R. B. |
|
ROBERT BATEMAN
Mule Deer Resting |
 |
paper |
950 signed and numbered |
10.75" x 13.5" |
$655 |
|
ROBERT BATEMAN
Muskoka Lake - Common Loons |
 |
paper |
2500 signed and numbered |
15.5" x 26.5" |
$295 |
|
The common loon is the symbol of the North Country, a land of evergreen forests and pure lakes. I have tried to render the water almost as a tapestry, with gentle cross weaving of color and tones created by the physics of reflections and ripples. - R. B. |
CLICK HERE TO SEE MORE ART BY ROBERT BATEMAN
Copyright © 1999 Gallery One - 7003 Center Street - Mentor, Ohio - 44060
Phone 1-800-621-1141 or 1-440-255-1200
Last modified:
July 12, 2008
|
|