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Labor Day Art Sale ends this Saturday!

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COMPLETE DIRECTORY


FLORAL ARTISTRY
Delightful Dahlias by Brian Davis - Click for more Brian Davis art!
Brian Davis

on exhibit thru Summer

OUR NATURAL WORLD
Majesty on the Wing by Robert Bateman
Robert Bateman
on exhibit thru Summer

REFLECTIONS OF CLEVELAND
AND BEYOND
North Coast Lights by Jim Ptacek
Jim Ptacek

on exhibit thru September


THOMAS KINKADE
ANNUAL HIGHLIGHTING EVENT
Country Living by Thomas Kinkade
Thomas Kinkade
THANKSGIVING WEEKEND
Saturday, November 29


ANNUAL CHRISTMAS VISIT
Checking it Twice by Dean Morrissey
Dean Morrissey
December 5-6

Images are copyrighted
and subject to price and availability. Image sizes
are approximate.
Artwork is MINT
unless indicated to the contrary.

Click to view new brochures:

Greenwich
Greenwich Workshop May 2008 Catalogue

Mill Pond
Mill Pond Press Spring 2008 catalog

Gallery One is your
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Collector's Editions
Disney Fine Arts
Greenwich Workshop
Mill Pond Press
Banovich Editions
Thomas Kinkade
Somerset House
Applejack, Pino & others.

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MICHAEL ATKINSON - BIOGRAPHY

Michael Atkinson, artist

From his Smoky Ridge studio in Texas, Atkinson seeks to "capture the emotion, be it subtle or exaggerated," a pursuit that has been in evolution since he started painting as a child in the northwest Texas town of Lubbock. 

Attracted early to the study of architecture, he earned a degree from Texas Tech University, then taught and worked in the field for a time.  From the first, his art has reflected his training, experience, and wide-ranging  interests, as he creates images - buildings, oceanscapes, animals, and Southwestern landscapes - through a unique, semi-abstract style and a mastery of watercolor's "spontaneity and freedom." 

White space is an essential element of the composition that characterizes the Atkinson "look". yet, as Atkinson explains, "The white is not empty.  It is completely finished."  Treating the paper as an element of design, the artist works from one concentrated area of detail and color, leaving much of the paper white and allowing the eye to focus on the central image without intrusion from the periphery. 

The white space is defined and given direction by Atkinson's signature birds, which either sweep towards the center of interest or decrease in size as they go back into the painting, drawing the eye into, or out of, the painting, and thus completing it for the viewer.



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Last modified: July 11, 2008